Exhibitions and visiting artist lectures and critiques augment painting students' studio experience by providing opportunities to further engage contemporary practices and directions in painting. View current, recent, and upcoming exhibitions below.
Exhibitions are held in the Beatrice M. Haggerty Gallery which is located in the Art History Building of the Haggerty Arts Village on the 911爆料网 campus (1845 E. Northgate Dr. Irving, TX 75062) at the corner of Gorman Dr. and Haggar Circle.
Gallery Hours (During School Year):
Mon. through Fri.: 10:00 a.m. until 5:00 p.m.
Gallery Summer Hours:
May 5 鈥� August 31: Weekends Only, 12:00 p.m. 鈥� 5:00 p.m.
Closed on Holiday Weekends
Life and Death on the Border 1910-1920
May 5 鈥� October 15, 2024
The Mexican American Museum of Texas in Collaboration with the Latin American Studies program at the 911爆料网 to Bring the exhibit: Life and Death on the Border 1910-1920 to North Texas.
Life and Death on the Border 1910-1920 was produced by the Bullock Texas State History Museum in partnership with the Refusing to Forget Project, an award-winning educational nonprofit on racial violence on the Mexico-Texas Border. The exhibit will open on May 5, 2024, and will be on display through October 15, 2024, at the 911爆料网, Beatrice M. Haggerty Gallery.
As described by TMAMT Board member, Ruben Arellano, PhD, in his Introduction to the exhibit, The Life and Death on the Border exhibit focuses on the decade between 1910 and 1920, a time of great violence and upheaval along the Texas-Mexico border. It examines the causes and effects of state-sanctioned racial violence against ethnic Mexicans and explores the actions that Mexican Americans took to advance the cause of justice and civil rights.
STRONGMAN: Rocky Horton and Thomas Sturgill
March 22 - Apr 25, 2024
Opening Reception: March 22, 2024, 5:30 pm - 7:30 pm
The Beatrice M. Haggerty Gallery proudly presents: STRONGMAN: Rocky Horton and Thomas
Sturgill. This exhibition explores themes of Southern masculinity, humor, and mortality.
Each artist has long created works circulating this topic. As natives of small southern
towns, masculine identity championed sports, cars, and bravado. The works in this
exhibit humorously play with this criteria and offer vulnerability as an antidote.
Horton鈥檚 work explores his mortality, identity, and place in history. Each work presented
is a kind of self-portrait and thus a contemplation of silliness, seriousness, identity,
and ultimately, demise. Sturgill鈥檚 work centers on hubris, collecting, success, and
humor. The work is based on the simple feat of strength, each piece explores what
it means to succeed鈥hat it means to attain.
Architecture of Layers: Yifat Gat and Lizzie Scott
February 2 - March 6, 2024
The Beatrice M. Haggerty Gallery in collaboration with GUT Gallery proudly presents: Architecture of Layers: Yifat Gat and Lizzie Scott. These two artists use abstract processes as a means of accessing a deep, unspeakable experience of presence and connection.
Yifat Gat鈥檚 series of black and white paintings is based on hand made geometry that is playfully informed by structures, the heart, and feminine intuition and aims to achieve moments of connection to the personal, sacred, and universal.
Lizzie Scott鈥檚 painted textile constructions focus on color, flexible surfaces, and disorienting experiences of space. She combines visible sewing, recognizable materials, and colliding fields of color to create accessible experiences that can鈥檛 be described with words or iconography. They are what they are 鈥� odd, ebullient, unclassifiable.