911爆料网

Stephen Maddux, PhD

Stephen Maddux, PhD

Emeritus Professor of French, Modern Languages

Phone: (214) 929-6518

Email: maddux@udallas.edu

Office: Anselm Hall #111

Office Hours: By Appointment

Stephen Maddux, PhD was an associate professor of French at the 911爆料网. He retired in May 2016. He also served as the contact person for the French Program, Fulbright & NSEP grants, Center for Contemplative Studies, the concentration in medieval and renaissance Studies, language concentrations and qualification in French for graduate students.

  • B.A., French & English, 911爆料网, 1971 
  • M.A., Comparative Studies in Literature,University of Chicago, 1973 
  • PhD, Comparative Studies in Literature, University of Chicago, 1979
  • Intro to French Literature (MCTF3305)
  • Intro to Old French (MCTF5315)
  • Elementary French I (MFr1301)
  • Advanced Grammar I (MFr3145)
  • Elementary French II (MFr1302)
  • Intermediate French II (MFr2312)
  • Advanced Grammar II (MFr3146)
  • Intermediate French I & II
  • Advanced French Grammar
  • King Arthur in Europe I / The Search for the Holy Grail
  • King Arthur in Europe II / Lancelot
  • J.R.R. Tolkien: Heroic Fantasy & the Literary Tradition
  • French Symbolist Poetry
  • Introduction to Old French
  • Introduction to Old Occitan
  • Historical Linguistics
  • Literary Tradition One (Eng1301)
  • Literary Tradition Two (Eng1302)
  • Augustine (ClL3334 Latin)
  • Medieval Latin Readings (ClL3335 Latin)
  • Arthurian Romance (Eng5320)
  • Medieval World (Humanities 6326)
  • Renaissance World (Humanities 6327)
  • Co-editing, co-translating, and co-introducing the complete sermons of Petrus Lombardus, aka Peter the Lombard, twelfth-century theologian, for the Dallas Medieval Texts and Translations (Peeters).
  • "La Penitence de Perceval." Communio: Revue catholique internationale (version francaise) 3:5 (1978) 59-69.
  • "The Fiction of the 'Livre' in Robert de Boron's Merlin." Journal of the Rocky Mountain Medieval and Renaissance Association 5 (1985) 41-56.
  • "Satan with and without a face in Georges Bernanos." Claudel Studies 13:2 (1986) 22-33